I'm really enjoying this gig as sound designer, which is a theatre job I haven't done since 2004 when I was an apprentice. Back then, I directed a one play in a series of one-acts, and I was given the job of finding and selecting the music to play between the plays. That was the last time I was credited as the sound designer for a production, although a lot of what I do for Radio Hound would be listed under the job description of a sound designer. This case is different, though, since I'm working with a director who is giving me notes and suggestions on the sounds, as well as a sound team that will be performing the live effects and playing the pre-recorded ones. It's pretty cool to be working with a team!
Thursday, November 11, 2010
I am currently sitting in a Borders store. I have a coffee on one side of the laptop, the script for Dracula on the other side, and I've spent the last twenty minutes or so working on a sound cue for Dracula's many creepy entrances in the play. I'm playing around with the cue to give the director a few more versions before I head off for my vacation this weekend. I'll be back at rehearsal on Monday to work the sounds into the show, and until then the director will be working with my Foley performers on the live sounds themselves.